By Gesine Manuwald
This booklet analyses the tale of Nero and Octavia, as dramatically instructed within the pseudo-Senecan Octavia, and its alterations in (early) smooth opera and comparable items of alternative performative genres. In a detailed exam of the libretto (and dramatic) texts, the impression of this interesting tale is proven from the start of historic opera. the amount is as a result of relevance to literary students in addition to to readers drawn to the historical past of opera.
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