Qui n’a pas, à l’écoute d’un organum parisien, établi un rapport avec l’architecture des cathédrales gothiques, ou rencontré une telle comparaison dans un ouvrage traitant de musique ou d’histoire de l’art ? Ces rapports résultent de deux faits : d’une half, un remarquable parallélisme entre les événements marquants de l. a. polyphonie parisienne et de l’architecture gothique, et d’autre half, l. a. propension actuelle à percevoir de façon spontanée cette analogie. Cet ouvrage suggest donc un nouvel examen de ce parallélisme historique en tenant compte de l. a. belief actuelle, et en se basant sur les caractères concrets de l’architecture des cathédrales gothiques, de l. a. polyphonie de Notre-Dame et du contexte culturel et intellectuel de l’époque. Basées sur los angeles pensée scolastique, les analyses des compositions polyphoniques et des cathédrales gothiques d’Ile-de-France font ressortir des buildings qui expliquent enfin que l’on perçoive entre ces œuvres des liens organiques et esthétiques. Cet ouvrage suggest un parcours inédit d’éléments historiques concrets vers l’organisation et los angeles conception de créations centrales de l’art médiéval.
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